entertainment

Aspyn Ovard's divorce, daughter's cancer diagnosis rock Mormon Wives

Secret Lives of Mormon Wives star Aspyn Ovard revealed her daughter's terminal cancer diagnosis and the 10-year secret that ended her marriage to Parker Ferris. She also confirmed a throuple with a married couple.

Manti Utah Temple. Photo via Wikimedia Commons.
Manti Utah Temple. Photo via Wikimedia Commons.

Aspyn Ovard, a star of Secret Lives of Mormon Wives: Orange County, has revealed that her daughter has a terminal cancer diagnosis and that a 10-year secret ended her marriage to Parker Ferris, E! News reported. She also confirmed she is in a throuple with a married couple, Page Six reported.

Us Weekly reported that Ovard shared what caused her divorce from Ferris and revealed her daughter’s terminal cancer diagnosis in the same timeframe. Parade Magazine reported that Ovard revealed a 10-year secret that ended her marriage to Ferris, suggesting the marriage had been under strain for years before the public split. Page Six described Ovard’s throuple with a married couple as a full-fledged relationship, and E! News provided additional details about the arrangement. The revelations have turned Ovard into the most talked-about cast member of the show’s new season, and the combination of a cancer diagnosis, a divorce, and a throuple is the kind of story arc that reality television producers dream about but rarely get.

The divorce and the secret

Parade Magazine reported that the 10-year secret Ovard revealed was the catalyst for the end of her marriage to Ferris. The specifics of the secret have not been fully detailed in every report, but the timeline suggests that the marriage had been carrying a hidden burden for most of its duration. Us Weekly noted that Ovard shared both the cause of the divorce and the cancer diagnosis together, which means she was dealing with the end of her marriage and a child’s terminal illness at the same time. That is a crushing combination of events, and the public nature of her life on a reality show means she has been processing these developments in front of cameras.

Grazia Daily UK provided a detailed explainer of Ovard’s divorce drama and the throuple, framing it as part of the larger narrative of the show’s new season. The show has built its audience on the contrast between the conservative Mormon community and the messy real lives of its cast members, and Ovard’s story is the most dramatic example of that contrast this season. A 10-year secret that ends a marriage, a child with a terminal diagnosis, and a new relationship structure that defies the religious community’s teachings is a lot of story for one person, and the show is building its season around it.

The throuple

Page Six reported that Ovard got into a full-fledged throuple with a married couple, and E! News untangled the details of the arrangement. A throuple, or a three-person relationship, is a structure that falls outside the norms of both traditional marriage and the Mormon faith’s teachings on family. Ovard’s entry into a throuple after the end of her marriage to Ferris is a significant departure from the life she was living when the show began, and it has generated intense discussion among viewers and commentators. TV Insider reported that Ovard reacted to the reveal of her ex’s 10-year secret on the show, suggesting that the throuple and the divorce are intertwined narratives rather than separate storylines.

The throuple revelation is the kind of detail that drives social media engagement and tabloid coverage, and it has done exactly that for the show. E! News noted that Ovard has shared what she wants the public to know about the throuple, which suggests she is controlling the narrative to some degree even as the show uses her story as a plot point. The reality television machine is designed to extract maximum drama from cast members’ lives, and Ovard’s situation gives the producers more material than they could have scripted. The question is whether the show handles her story with the care that a cancer diagnosis and a divorce deserve, or whether it simply uses them for ratings.

The bigger picture

Ovard is not the only cast member dealing with public marital drama. Extra reported that Jen Affleck, another Mormon Wives cast member, filed for divorce from husband Zac and is putting on a brave face. People magazine reported that Affleck was supported by the Mormon Wives cast at the premiere hours after the news of her divorce broke, and E! News quoted Affleck saying she is not doing the best in candid comments about the split. The show’s new season is arriving with multiple cast members in the middle of marital crises, and the pattern is either a coincidence or a sign that the show’s environment puts pressure on relationships.

The Secret Lives of Mormon Wives franchise has become one of the most successful reality shows on streaming, and the new Orange County spinoff is expanding the brand. The show works because the tension between the Mormon community’s expectations and the cast members’ actual lives creates natural drama that does not need to be manufactured. Ovard’s story is the most extreme version of that tension this season, and the combination of a terminal cancer diagnosis, a divorce, and a throuple gives the show a storyline that viewers cannot look away from. Whether that is good for Ovard or good for the show is a separate question, and one that the audience will have to answer for itself.

What I think

There is something unsettling about watching a person’s worst moments become a television storyline. Ovard is dealing with a child’s terminal cancer and the end of her marriage, and the show is packaging that into episodes for entertainment. She may have chosen to participate, and she may be controlling some of the narrative, but the structure of reality television means her pain is also a product. The throuple is the detail that gets the clicks, but the cancer diagnosis is the part that matters, and I hope the show does not treat them as equivalent plot points. The Mormon Wives franchise has been smart about letting real life drive the drama rather than manufacturing conflict, but there is a difference between documenting a life and exploiting it, and the line gets harder to find when a child is sick.